Monday, 14 February 2022

Stratford-upon-Avon and the Hotel du Vin

Among the 500+ posts on this blog is one from July 2019 entitled Cheltenham: The Hotel du Vin and Brian Jones. There is a little about Cheltenham, but mostly it is a review of our dinner at the Hotel du Vin. This post was intended to redress the balance and be more about Stratford and less a restaurant review. It has partially achieved that aim.

A Valentine's Day Visit to the Midland's Tourist Honeypot

Introducing Stratford


Warwickshire
The other Stratford, the one in east London that hosted the 2012 Olympics, is less anonymous than it once was, so I have carefully defined my Stratford in the title. With a population of round 30,000, Stratford-upon-Avon is the sixth largest town in Warwickshire and the largest in Stratford-on-Avon, the southernmost of the county’s five districts. No doubt, you spotted the missing ‘up’ that distinguishes district from town. Such fine distinctions often pass us by, but should we care? Probably not.

Stratford-upon-Avon in the southeast corner of the English West Midlands

Stratford’s most important citizen died over 400 years ago, but he can still be seen around in statue form; this one is in Henley Street, near his birthplace. The work of James Butler it arrived as part of the 2020 redevelopment.

Lynne and William Shakespeare, Henley Street, Stratford-upon-Avon

Stratford on Valentine’s Day

And is a Valentine’s Day visit to Stratford a romantic gesture? Yes, and indeed, no.

In summer, the town is just too full of tourists, in February all the fine old buildings are still there and unobscured by crowds.

Stratford has plenty of old buildings

But February in England is typically cool and damp and Valentine’s Day is not exempt. Cool and damp are not the adjectives of romance - and most of the tourist attractions are closed.

We knew this and a did not arrive until lunchtime. If we lived further away we would have set out earlier to make a day of it, but Stratford is 70 miles from home (a little to the west of Stoke-on-Trent in the map above) and we feel we can go there any time - though we rarely do - so why make the big effort when little is open?

Shakespeare’s Birthplace

Despite the (waning) effect of Covid and (predictable) effect of the season, Shakespeare’s birthplace was open.

The 16th century timber-frame house now known as 42, Henley Street, was rented and later owned by John Shakespeare, William’s father, for over fifty years. The street frontage used to be more impressive, but the building’s original rather grey colouring is being allowed to reassert itself.

The current entrance is at the back, via the modern exhibition further down the street.

Shakespeare's Birthplace, Stratford-upon-Avon

The substantial garden may well have existed in Shakespeare’s time though used for producing vegetables and accommodating livestock rather than growing flowers.

Snowdrops, Shakespeare's birthplace, Stratford-upon-Avon
A reminder that even in the depths of winter there is hope.

Visitors first enter the parlour, where guests would have been entertained. Finding a bed here seems surprising, but beds were expensive, even to the relatively wealthy upper middle class, and if you had a best bed, you showed it off – and honoured guests even got to sleep in it. This puts Shakespeare’s bequest of his ‘second-best bed’ to his wife in some perspective.

Parlour, Shakespeare's Birthplace, Stratford-upon-Avon

The family and any guests would have dined in the hall where only the head of the household had a proper chair. Food preparation would have been carried out in a building behind the house which has not survived.

Hall, Shakespeare's Birthplace, Stratford-upon-Avon

Inevitably no furniture has survived in situ, but although some on show is reproduction, most is of the right age. The hall benches were definitely in use (though elsewhere) in Shakespeare’s time.

A bench of some antiquity, Shakespeare's birthplace, Stratford-upon-Avon

Beyond was John Shakespeare’s workshop. He was a glove maker and leatherworker and built up a successful business. In 1556 he was elected borough ale taster (now there’s a job!) which brought responsibility for weights and measures and price control. Later he became a constable, then an alderman and in 1568, when William was four, he was appointed High Bailiff of Stratford, a position that brought both power and responsibility.

In 1576 he was rich enough to educate his sons and to buy the next two houses in Henley St, combining them into one dwelling – I think that includes the current gift shop. After that he over-reached himself, becoming involved in unlicensed wool-trading and money-lending. He lost his position in society and endured some difficult times.

Buttery, Shakespeare's birthplace, Stratford-upon-Avon

Upstairs was the main bedroom. The mattress was stuffed with hay, goose down mattresses being the preserve of the very wealthy. The batons sticking up on either side could be removed and were used to beat the mattress before retiring. This would have some cleaning effect and stop compression and explains why ‘hitting the hay’ now means ‘going to bed’.

Master bedroom, Shakespeare's birthplace, Stratford-upon-Avon

The children used the next bedroom. John and Mary Shakespeare had eight of whom William was the third, oldest of the five who survived infancy.

Children's bedroom, Shakespeare's birthplace, Stratford-upon-Avon

John left the house to his oldest surviving son at his death in 1601, but William already had a Stratford home and leased out this building as an inn. It remained in Shakespeare ownership for a couple of generations until they ran out of heirs - William Shakespeare has no descendants.

The Avon and the Royal Shakespeare Theatre

Leaving the great man’s birthplace, we walked down High St and Sheep St…

High Street, Stratford-upon-Avon

… to the River Avon. The river rises near Naseby in Northamptonshire and flows southwest for 75 miles before joining the Severn at Tewkesbury. ‘Avon’ derives from the ancient Brythonic word for river (like modern Welsh afon - the single ‘f’ pronounced as a ‘v’) so the River Avon is a tautology – which maybe accounts for why there are so many of them. To avoid confusion, this is the Warwickshire Avon, or Shakespeare’s Avon.

Lynne beside the Avon at Stratford

Swans are always associated with the Avon, but there were also plenty of (mainly Canada) geese, pigeons and black-headed gulls. A woman was feeding the birds; twice they gathered in great numbers at her feet, then something spooked them and they all took flight at once. Surprisingly they do not seem to fly into each other.

Birds take flight beside the Avon, Stratford

I photographed a small gull in Bakewell in 2019. My knowledgeable friend Francis, identified it as a black-headed gull. ‘But it does not have a black head,’ I objected. ‘It’s in winter plumage,’ was the answer. The photo was taken in July but, Francis informed me, it goes into winter plumage as soon as it has finished breeding. So why is it called black-headed when it only has a black head for three months of the year?

Black-headed gull (in winter plumage) beside the Avon, Stratford

The Royal Shakespeare Theatre is right beside the river. It was under reconstruction for several years, but has emerged still recognisable as the building it was. It has grown a tower which, I am told, gives excellent views across the town, but of course, it was closed.

Royal Shakespeare Theatre, Stratford-upon-Avon

When we lived nearer, we visited the theatre regularly but it is ages since we went and we cannot blame covid for more than a small fraction of it. I think we should make the effort.

Shakespeare’s Grave

After visiting his birthplace and the theatre that helps keep his work alive, we ambled down beside the river…

Walking beside the Avon

…to Holy Trinity Church where he is buried.

Holy Trinity Church, Stratford-upon-Avon

I had not expected the church to be closed, but Mondays are never a good day. Fortunately, I have a photo of Shakespeare’s grave from an earlier visit. He was buried on the 25th of April 1616, so he probably died on the 23rd, his 52nd birthday. Shakespeare paid a considerable sum to be buried inside the church rather than in the graveyard, but recent research has shown the grave is only a metre deep. Souvenir hunting was popular at the time so there is a curse - half hidden by the altar rail - on any who disturb his bones. He has probably lain here unmolested for over 400 years.

Shakespeare's Grave, Holy Trinity, Stratford (2006)
Shakespeare Memorial

Strangely I did not photograph the memorial on the wall just to the left of where I was standing, so I have borrowed Wikipedia’s. (The work of ‘Sicinius’, it is reproduced under Creative Commons Attribution-Share Alike 4.0 International). The figure and pillow were carved from a single limestone block probably by Gerard Johnson. It must have been made before 1623 as it is referenced in the First Folio, published in that year, and may be as early and 1616 or 17. The sculptor had the assistance of people who had known Shakespeare, and possibly of a death mask. It has been criticised as a work of art, but it is as good a likeness as we can have of a man who died so long ago.

The Hotel du Vin, Stratford

It was time to walk to our hotel and check in. The rain had held off most of the afternoon, but not for this final walk. Never mind, the hotel was doing its best to celebrate the day.

Valentine's Day at the Hotel du Vin

Dinner at the Hotel du Vin, Stratford

At the appropriate time we presented ourselves in the dining room for the 3-course Valentine’s Day dinner which included a glass of Champagne with the starters.

Chicken Liver Parfait

From six first course choices, Lynne went for the chicken liver parfait with raisin chutney and brioche toast. She has a long-held belief (which I actually share, but express less forcibly) that brioche is breakfast food and its creeping colonisation of savoury dishes should be resisted. She made her speech, ordered the dish regardless and complained not at all – except to say was a bit large with two courses to come – but we can’t eat like we used to. Getting older is no fun.

Chicken Liver Parfait and a glass of Champagne, Hotel du Vin, Stratford

Pissaladière

The dish originated in the Liguria region of Italy and long ago spread along the Mediterranean coast into France, this version being described on the menu as niçoise. The unfortunate sounding name derives from peis salat, salted fish in the old coastal dialect. It traditionally has four basic ingredients, a dough base, caramelised onions, anchovies and black olives.

Pissaladière, Hotel du Vin, Stratford

In this case the ‘base’ was a pastry coffin. The pastry was a touch claggy, but the filling of soft, sweet onion flecked with shards of savoury/salty anchovy was delightful. The black olives were ‘à la Grecque’ and I would have preferred something less aggressive – little niçoise olives preserved in brine would have been perfect. The rest, some leaves and a quail's egg, looked pretty and the leaves were fresh and crisp, but all would have benefitted from a splash of olive oil.

Pan-Seared Duck Breast

Despite the fish, vegetarian, vegan and two beef options we both went for pan-seared duck breast with fondant potato and Agen prunes.

Pan seared duck breast, Hotel du Vin, Stratford

My duck breast was appropriately pink, the skin nicely seared, but it could have been more tender and ducky-flavoured. I blame the beast rather than the chef. Prune juice, as Commander Worf once averred, is a warrior’s drink, and the Prunneaux d’Agen of south west France, are the most warlike of prunes. So much so, they rather overwhelmed the duck.

Vin de Madiran

The hotel is justifiably proud of its extensive wine list. Looking beyond the recommendations on page one there is an interesting mix of expensive classics and cheaper regional wines. I chose a Madiran from south west France - at under £35 it was inexpensive by restaurant standards. Made from the local tannat grape known for its dark colour, firm tannic structure and raspberry aromas, it lived up to its reputation and was, we thought, a good choice.

Sorbet and Crème Brûlée

Lynne only had space for a scoop of raspberry sorbet, which slid down nicely. I would have liked to try their ‘selection of artisan cheeses’ but although the spirit was willing, the flesh was weak and I settled for the crème brûlée. The vanilla custard was less sweet than usual, but I liked that; who needs more sugar when you have cracked your way through the glazing?

This was our second Hotel du Vin dinner, both were good enough to be worth a review, but neither hit any great heights. These are not Michelin starred menus – but nor are they Michelin star prices – and I appreciate a menu prepared to take a few risks, even if some do not come off.

Other 1 AA Rosette meals
The Speech House, Forest of Dean Gloucestershire (2019)
The Hotel du Vin, Cheltenham, Gloucestershire (2019)
The Hotel du Vin, Stratford-upon-Avon. Warwickshire (2022)
The Dukes Head, Kings Lynn, Norfolk (2022)

Tuesday, 25 January 2022

Socialist Realism and some Western Fantasies

In Praise of Bad Art

Let’s get the confession out of the way right at the start: I don’t know much about art, but I know what I like.

This is not, for once, the precursor to an ill-informed rant about ‘modern art’, it is merely a statement of fact. I studied sciences at school and engineering at university but when I became a teacher I returned to mathematics, always my favourite school subject (and that, no doubt, proves to some that I am, at the very least, odd). I spent my last art lesson, aged 14, as I spent most cleaning brushes and sharpening pencils, I had learned long before that any ‘art’ I produced would be not just bad but embarrassing, so I produced none – and have continued to produce none for the next 58 years. I am not going to change now.

Socialist Realism

But that does not mean I do not appreciate other’s efforts. This post is an appreciation of one, odd, quirky artistic backwater that we have encountered in our travels. Socialist Realism is probably of more interest to students of politics and sociology than of art, but I know what I like – and I like it.

The Leaders

The 1917 Russian Revolution was a major convulsion. The past was over, everything, including art, had to begin again. Many within the artistic community were happy to be co-opted into the new future.

An enormous head of Lenin, Ulan Ude in the Russian far east

Stalin, like Hitler, had no time for decadent artforms, but the idea of Socialist Realism emerged slowly, the term being first used in 1932. In 1934 the four guidelines of Socialist realism were laid out at the 17th Congress of the All-Union Communist Party.

Lynne and Uncle Joe, Stalin's birthplace museum, Gori, Georgia

Art must be:

1) Proletarian: art relevant to the workers and understandable to them.
2) Typical: scenes of everyday life of the people.
3) Realistic: in the representational sense.
4) Partisan: supportive of the aims of the State and the Party.

Waiting for the firing squad?
Stalin, Lenin, former Albanian leader Enver Hoxha (and some extras) stored in a rarely visited corner of Tirana castle

So how do the works above measure up to the guidelines?

An 8m high, 42 tonne head of Lenin erected in 1970 to celebrate the 100th anniversary of his birth is easily understood by all workers: it says THE PARTY IS IN CHARGE literally (almost) in caps lock. What it means for it to be in situ 30 years after the end of the USSR is another question. The other statues said the same, only more quietly, but their new locations have changed the message. They now say: the party’s over.

All are undoubtedly realistic, Lenin very much so. Stalin looks like he was carved in frozen yoghurt and is now melting, but it is obviously him. The Albanian examples are not such good likenesses, though they have been bashed around and Enver Hoxha is hiding his face with his arm. The stone carving at his feet is actually a good likeness of him, despite the smashed nose – the least he deserved from an ungrateful nation with much to be ungrateful for.

Enver Hoxha with broken nose, Tirana Castle, Albania

That they are partisan is unquestionable, but Guideline 2...?

Peasant Wedding, Peter Breughal the Elder
(public domain)

Well, three out of four is not bad, but Peter Breughel the Elder also scored 3 out 4 - several times. The Peasant Wedding, for example, is proletarian and easily understood, is a scene of everyday life and is realistic. As for supporting the aims of the Party, Breughel died 300 years before 'The Party' was born so could neither support nor oppose. However, he depicts peasants/proletarians as human beings with our well-known virtues and vices, so, I think, too much realism for Socialist Realism.

Perhaps the rulers are not the most distinctive parts of Socialist Realism, I see little intrinsic difference between a statue of Lenin and one of Queen Victoria or Winston Churchill. So, lets have a look at the Proletarian struggle.

The Soldiers

But first, a folk hero. David of Sassoun is the hero of the Rebels of Sassoun an epic Armenian poem of unknown antiquity, first written down in 1873 after a millennium or so of oral transmission. The soviet authorities cautiously approved of national heroes; if they could not be linked to any modern political faction, they could be co-opted to the proletarian cause.

David of Sassoun, Yerevan, Armenia

A statue was erected outside Yerevan station in 1939 to celebrate the (conveniently invented) 1,000th anniversary of the poem. It was destroyed in 1941 when sculptor Yervand Kochar was accused of praising Adolf Hitler, but Kochar survived and kept his gypsum original. In 1959 a new casting was made to belatedly celebrate the 40th anniversary of the Russian revolution. It was in poor condition when visited in 2003.

And the guidelines? Proletarian? Yes, a folk tale is a story of the proletariat. Partisan? Yes, David of Sassoun was officially viewed as a proto-communist. Typical? You cannot have everything! Realistic? Look at those tree-trunk legs!

And here we encounter a problem that runs through all warriors in Socialist Realism. Proletarian soldiers must look impressive, like this chap on guard at Gjirokastër castle in Albania…

Soldier, Gjirokastër Castle, Albania

...or, better still, superhuman like this intimidating group of North Korean heroes. This is realism only for the deluded. The man firing the gun (his forearm like David of Sassoun’s leg) sensibly crouches behind the shield, but the lunatic with flag clearly has a death wish. And the man just behind? A fine physical specimen, maybe, and remarkable clean, as men involved in warfare seldom are, but he is the only North Korean male I have ever seen sporting a side-parting.

Heroic DPRK soldiers, Fatherland War Liberation Museum, Pyongyang

We saw many soldiers during our week in North Korea. They were small, proud men in cheap, poorly made uniforms one size too large. No one below the rank of colonel gets a uniform that fits, or perhaps no one below that rank eats well enough to fill the uniform they are given. None of them looked like any of the group above.

Workers, Peasants, Men, Women and Children, More Fighters, More Leaders


Long Live the Great socialist October Revolution , 31st Anniversary (1948)
City Museum, Tallinn, Estonia

The men above, and the peasants, children etc immediately above and below exemplify the problem of Socialist Realism. Scenes of everyday life (and warfare) must support the aims of the party. So, soldiers must be heroic, and workers must be happy and thriving, and owe that to the party, and know they owe it to the party.

Long live the Estonian Soviet Socialist Republic, 11th Anniversary
City Museum, Tallinn, Estonia

Somewhere in the corner, Breughal would have included a grumpy git, or somebody cheating in some way, but Socialist Realism cannot allow this, everybody must be cooperating happily. That you cannot please all the people all the time, is an immutable law of human nature and so Socialist Realism can never be realistic. The problem is not with socialism specifically, it is with mandating art to support the government.

When a leader joins his adoring people, realism is missed by an extra notch. Travellers arriving on Puhung metro station (one of the four stations on the Pyongyang metro open to foreigners) are greeted by no less than Kim Il Sung, the DPRK's Eternal Leader.

Kim Il Sung himself, welcomes us to Puhung station on the Pyongyang metro
Notice the miner's foot on the stairs, the DPRK is very keen on trompe l'oeil

Two Favourites

I will finish this section with my two favourites. The first is a mosaic on the façade of Tirana’s Museum of National History.

Albanian Museum of National History, Skanderbeg Square, Tirana

It displays the whole of Albanian history, starting with the Illyrians and Thracians on the left before moving seamlessly to the intellectuals of the 19th century Albanian Renaissance. On the right are the workers and peasants who saw off the Ottoman Empire in the early 20th century - one woman giving a distrustful backward glance at the intellectuals. All are led into the glorious socialist future by a worker, a soldier and an inappropriately dressed young woman with a right forearm that would not disgrace a blacksmith. She would be terrifying even if she was not carrying a rifle. Such works need to be treasured as many have already disappeared, been painted over or dismantled as Albania deals with its new reality.

Mosaic, Albanian Museum of National History, Skanderbeg Square, Tirana

The second is a painting in the lobby of the May 6th Hotel, Sariwon, North Korea which expands the delusion to a whole new level of ‘Realism’. The conceit here is not just that North Korea is a paradise, but that leaders from across the world recognise this and come to admire and seek advice from the great Kim Il Sung himself.

Kim Il Sung meets the people of the world, May 6th Hotel Lobby, Sariwon, North Korea 

Capitalist Realism?

Hitler’s tastes in art were apparently similar to Stalin’s and the Nazis promoted Heroic Realism which has a studied arrogance that Socialist Realism lacks.

"Capitalist realism" has been used to describe the Pop Art of the 1950s and 1960s and the commodity art of the 1980s and 1990s, but as a self-knowing play on "socialist realism". Search for ‘Capitalist Realism Paintings’ on google images and it is difficult to see the theme running through the results, although artwork from the Jehovah’s Witnesses magazine The Watchtower, does come up a few times; it undoubtedly has the style and lack of self-awareness, of the finest Socialist Realism.

But can there a precise western counterpart of Socialist Realism - when you are living the dream, why pretend? Yes, of course, there can, and I have two examples, one American which I call Hollywood realism, the other British, Imperialist Realism, perhaps..

British Imperialist Realism

The neo-Baroque head office of Liverpool's Royal Insurance Company was completed in 1903. It is now the Aloft Hotel where we stayed last year. A remarkable stone frieze sits below one window. The soldier-like figures suggest the British Empire is out there comforting widows and their children, building railways across the wilderness and erecting churches to shine light into the world’s darkest places - and all these activities are protected by the Royal Insurance Company.

Frieze, Aloft Hotel, Liverpool

The British empire was, of course, an unalloyed force for good in the world, spreading the benefits of civilisation and Christianity; it was never about exploiting the wealth or the inhabitants of far-away countries. There were people who believed that then – there are some who believe it now, even some in positions of power and influence.

Hollywood Realism

​In 2013 we flew into North Korea from Beijing, but returned by overnight train. We lunched in Korea, reached the border in late afternoon and rolled across the Yalu River into the Chinese city of Dandong in early evening. North Korea is the only country we have ever left with a feeling of relief and we savoured the welcoming bright lights, bustle and (yes) freedom of China.

We dined on the train after it left Dandong. In Korea food (for us) was plentiful if not particularly interesting and our Chinese dinner was like eating in full colour after our monochrome Korean lunch. But the Korean’s brew good beer, and the only beer available with with our dinner was Pabst, a brew which contributed fully to the USA’s former reputation as a beer drinker’s desert. More interesting than the beer was the artwork on the cans, a set of half a dozen, rather similar pictures, one of them reproduced below.

Pabst beer can - Heroic American Soldier, smiling, friendly and armed to the teeth
A can with bad taste inside and out?

The copyright of the above picture belongs to Interbrand and I have borrowed the artwork from their website. They inform me these special edition cans were made only for the Chinese market. I make no further comment.

Why I like Socialist Realism

I started by saying I liked Socialist Realism, I ought now to explain why.

I am not that keen on the leaders, but I love the cheerful pictures of happy workers, peasants and soldiers. But only a fool takes them at face value, behind every silver lining there is a cloud, a very obvious cloud in the case of the death-defying, North Korean, machine gunners.

Socialist Realism is, of course, fantasy, but it was conceived as realism, the irony in the name is unintentional. Many people are involved in the production of public art. A top-level decision is made to create, say, a mosaic, artists work on designs, a committee will choose the winner, workers will make the pieces and put them in place. I suspect somebody among them will honestly believe in what they are doing, though most will just get on with their jobs. But where is the belief? At the top? Among the workers? Surely not among the artists, or is it?

I love the ambivalence and ambiguity, though I admit they are easier to enjoy when they are safely in the past; some of the North Korean examples – and the American beer can – are more worrying.

…and finally…

The Korean Worker’s Party Monument in Pyongyang is a typical piece of DPRK bombast…

Korean Workers' Party Monument, Pyongyang

…but inside the circle of concrete blocks, just above head height, is a frieze, a relief of women, soldiers, children, aviators and more whose task is, apparently, to outstare the future.

Nobly attempting to outstare the future, Korean Worker's Party Monument, Pyongyang

I cannot believe there was not a knowing hand in here somewhere.


Saturday, 18 December 2021

Tussocks: The (N + 11)th Annual Fish and Chip Walk

Cannock Chase: The Cutting and The Sherbrook and Oldacre Valleys

From the Cutting Car Park to the Lip of the Sherbrook Valley


Staffordshire
As the title suggest this is the 12th of these walks I have blogged and if you are thinking, ‘11th surely’, I would remind you the first was the Nth, the second (N + 1)th and so on. Last year the Christmas lockdown involved the ‘rule of 6’ (remember that? such fun!), but this year the numbers are unlimited, so there were five of us. We met, as we have the last few years at the Cutting Car Park on the edge of Cannock Chase between Millford Common and Brocton.

So here we are, Alison T, Alison C, Francis, Mike and me (hiding behind the camera), ready to set off. Lee and Sue were unavailable and Anne had cried off the day before having hurt her back during a six-hour volunteer shift at a vaccination centre. An injury nobly acquired.

Setting off from the Cuttings Car Park

It was not excessively cold, nor was it raining, but moisture hung so heavily in the air you could almost wring it out with your hands and watch the droplets cascade onto your toecaps. And humidity was not the only problem, it was not quite the shortest day of the year, but the weather gods had clearly deemed daylight inappropriate and were urging on the swirling mist below and dense clouds above as they smothered the light from the few precious hours between the late dawn and the depressingly early dusk.

The careful reader will have realised that I am wittering on about the weather (and desperately trying to crowbar in the fine Scottish word dreich, which not only says it all, but sounds like it does) because I have little to say about the route.

The Alisons lead along the line of the Tackeroo

We went round the top of The Cutting, through the woods beyond along the line of the Tackeroo and then, with some down but much more up, to the lip of the Sherbrook Valley.

Down and up to the lip of the Sherbrook Valley

This part of the route was the same as the last two years. All three differed later, but, with one possible exception, we have no previously untrodden paths in this region of the Chase. I have already written at length and in various places about The Cutting, the Tackeroo and the Glacial Boulder, so I will not repeat myself, but there is a blog search facility at the top right-hand corner, should you be interested.

At the bird feeding station a sign said – ‘Bird Flu, Do Not Feed the Birds.’ It is not just humans that suffer diseases – I think the little blighters should be told to wear masks.

We stopped for an early coffee, because we were where the bench was, though only Francis chose to use it.

Coffee stop

Down to the Sherbrook

Somewhere round here I usually take a picture across the Sherbrook Valley, but this year I could not see the other side. Nor could I see the bottom, but near the glacial boulder we turned down into the murky depths. It might have been a bottomless pit, but long experience suggested otherwise.

Into the misty Sherbrook Valley

At least the mist gives some atmospheric photos.

Further Down

Predictably we found the stream at the bottom, and all being double jabbed and boosted we had no problem walking on water.

The Sherbrook

Those more grounded in reality used the somewhat minimal stepping stones. I don’t think this set of stepping stones has appeared in one of these blogs before, though at least three others have.

Stepping across

Tussocks!

Over the stream we turned right, walking towards the source. Along here the water disappears and reappears and fills a couple of pools before disappearing for good. Maybe we have not walked on this side before, but Mike and I were struck by the lengthy stretch where the streambed was filled with grassy hummocks, like the heads of a gathering of green-haired goblins.

Tussocks in the Sherbrook

The tussocks were the only new thing on this walk - indeed I am not sure I have seen anything quite like them before anywhere. I have been unable to discover what sort of grass it is, the internet is excellent if you wish to buy tamed ornamental ‘tussock grass’, but little help at identifying a specimen in the wild (suggestions anyone?).[Mike suggests it is greater tussock sedge carex paniculata see comments at the end.]

Further up we recrossed the stream and climbed back up the valley’s side.

Out of the Sherbrook Valley

The Oldacre Valley, Mosses and lichens

I believed we were heading for the Katyn Memorial (search will explain what that is) but as we passed directly over Chase Road into the Oldacre Valley we must have been 1,500m north of the memorial.

The navigational demons of the Oldacre Valley had apparently taken a Christmas break, as we easily found our way down to the environs of Brocton Pool, where, according to the photo below, we paused to inspect the leaves on the ground. Actually, we had a conversation about the variety and brightness of green in the mosses and lichens around us. I was uncertain of the difference but Mike was able to point to examples of both – and on close inspection the differences are striking. Mosses are, of course, plants, and lichens, I know now, are symbiotic composite organisms that arise from algae cohabiting with fungi. Some photographs to exemplify the difference would be appropriate here, but all I have is three people staring at the ground!

Discussing lichens and mosses, or just looking at the floor?

Around Brocton Pool are a number of minor earthworks and the half-buried remains of a few brick platforms. Mike was wondering about the early industrial uses of the area but, with a few exceptions, finding information about industry on the Chase is difficult, maybe there was less than we imagine. More readily available is information about the prisoner of war and army camps from the First World War. Brocton and Rugeley camps were home to up to 40,000 soldiers in training at any one time and had the facilities of small towns. Both were dismantled after the end of hostilities. Brocton Camp lined what is now Chase Road, on the higher ground between the Sherbrook and Oldacre Valleys. We had earlier walked unawares through the middle of it. I would guess the visible remains around Brocton Pool were once part of Brocton Camp.

The end of 2021 has brought more than its share of storms culling those trees not in the best of health, including a number of Oldacre Valley’s silver birch.

Birches, some of them horizontal, Oldacre Valley

Brocton and Back to the Start

We left the Chase through a gate into the end of a residential street leading into the centre of Brocton. A couple of hundred metres up the Milford Road we turned back onto the Chase and up Mere Valley…

The bottom end of Mere Valley

…rounded a tree which has grown rather than fallen across the path…

Is this tree falling over or deliberately trying to reclaim the path

…and reached the tautologously named Mere Pool.

Mere Pool

From there it is a small step to the end of The Cutting. Earlier we had walked from the car park over the top, in winter the cutting itself is usually too wet. I had not noticed that this year had been particularly dry, in fact the opposite, but the floor of The Cutting looked remarkably dry, so that was how we walked back.

Back along the bottom of  The Cutting

Thus ended this year’s Fish and Chip Walk, all that remained was the fish and chips.

Until two years ago we walked after lunch as well, but a heavily booked Chetwynd Arms led to a late lunch in 2019 and no afternoon walk as the light was already fading. Last year pubs were closed, but this year, after some discussion, we followed the 2019 pattern with a 2 o’clock lunch booking. I am unsure if our ascent from the Sherbrook Valley well north of the previously stated goal was accidental and cut half an hour or more from the walk, or intended - I doubt Francis made a mistake - but we were in the Chetwynd arms before 1.30.

At around 10km this was the shortest ever chip walk, but I must admit I was glad to reach the end. After no serious walking since the July Macmillan Mighty Hike on the Long Mynd I was not fit, and would have struggled to go much further.

The Annual Fish and Chip Walks

The Nth: Cannock Chase in Snow and Ice (Dec 2010)
The (N + 1)th: Cannock Chase a Little Warmer (Dec 2011)
The (N + 2)th: Cannock Chase in Torrential Rain (Dec 2012)
The (N + 3)th: Cannock Chase in Winter Sunshine (Jan 2014)
The (N + 4)th: Cannock Chase Through Fresh Eyes (Dec 2014)
The (N + 5)th: Cannock Case, Dismal, Dismal, Dismal (Dec 2015)
The (N + 6)th: Cannock Chase Mild and Dry - So Much Better (Dec 2016)
The (N + 7)th: Cannock Chase, Venturing Further East (Jan 2018)
The (N + 8)th: Cannock Chase, Wind and Rain (Dec 2018)
The (N + 9)th: Cannock Chase, Freda's Grave at Last (Dec 2019)
The (N + 10)th: Cannock Chase in the Time of Covid (Dec 2020)
The (N + 11)th: Cannock Chase, Tussocks(Dec 2021)
Dec 2020 - no walk
The (N + 12)th: Cannock Chase, Shifting Tectonic Plates (Dec 2023)