Friday, 26 July 2019

Bakewell and Haddon Hall

A Victorian Town and a Medieval House

26/07/2019

Today is our wedding anniversary – 44 years believe or not. Tradition dictates I organise a day out ending with dinner at what is now called a ‘fine dining’ restaurant, usually one with a Michelin star. For Lynne the event is a mystery tour.

This year, Fischer’s in Baslow, Derbyshire – much closer to home than usual - was the chosen restaurant. The dinner is the subject of the next post, this one is about the day out.

Bakewell

Derbyshire

Our 38 mile journey to Bakewell took almost 1½hrs, but driving across the Peak District – coincidently both the most direct and most scenic route - is never going to be quick, and on a pleasant summer’s day, who cares?

Reaching Bakewell town centre from the car park involved crossing the bridge on the River Wye*. A Grade 1 listed building, it has stood here since 1270(ish). It now carries two lanes of 21st century traffic, so it must have been well made – and (I hope) considerably strengthened. The upstream side was rebuilt in the 19th century.

Bakewell Bridge over the River Wye - this is the downstream, i.e. the original side

Bakewell Pudding

Everybody knows that Bakewell is the home of the Bakewell tart. Only it isn't, it is the home of the Bakewell pudding.

The story of the pudding’s creation is well known, at least in Bakewell, but here it is anyway. It was discovered by serendipity in 1820 or 1860 when Mrs Greaves, the landlady of the White Horse Inn asked an inexperienced kitchen assistant to make a jam tart. The assistant spread an egg and almond paste mixture on top of the jam instead of mixing it into the pastry. In the oven it set like an egg custard and the result was so good it has been made that way ever since.

The story has some problems. The recipe had already reached London in 1836 when it was published in The Magazine of Domestic Economy, so not 1860. Worse, the White Horse Inn was demolished in 1802 and the Rutland Arms was built on the same site, so not 1820, either.

The Rutland Arms, Bakewell

The Old Original Bakewell Pudding Shop

Whenever it originated, it is indubitably here now, and three shops in Bakewell claim to be guardians of the original recipe. The first we passed was The Old Original Bakewell Pudding Shop. Once they sold candles, but Mrs Wilson, wife of the tallow chandler obtained the recipe and opened a café - good move, all Bakewell’s tallow chandlers have since folded. The shop is downstairs, the restaurant above, and we settled in a corner…

The Old Original Bakewell Pudding Shop

…and ordered a Bakewell pudding to share.

A Bakewell pudding for two, served with cream and custard(!)

I dipped my spoon into the not-quite egg custard. The jammy, almondy, marzipany flavour was toe-curlingly lovely. ‘It’s very sweet,’ Lynne observed. A couple of spoonfuls later I found myself agreeing, it was not just sweet, it was too sweet, even this wonderful flavour would soon start to cloy. Lynne could not finish her half, so I dutifully scooped up her custard but left the pastry. In conclusion: Bakewell pudding is lovely, but a little goes a long way.

I had entered the Old Original Bakewell Pudding Shop with a pudding-tasting plan, I left with the plan in tatters. We mentally cancelled lunch and accepted that after a meal tonight and a big breakfast we could not possibly manage another pudding at the Bakewell Pudding Factory Parlour tomorrow morning. In our youth, maybe… but that precious possession has somehow slipped between our fingers. Bloomers, the other claimants to the ‘original recipe’ is a bakery only, so we could still drop in there.

Two old dears on their 44th wedding anniversary. Sorry about the demonic grin, I was trying to smile

All Saints’ Church, Bakewell

Feeling more than full we dragged ourselves to Rutland Square and up the hill to All Saints’ Church.

All Saints', Bakewell

There has been a church on this site since 920, and that was predated by a couple of 9th century crosses now in the churchyard.

9th Century Cross outside All Saints', Bakewell

The building of the current church started in the 11th century, though little of that remains…

The Oldest part of All Saint's, Bakewell, with rounded Norman arches

…and most of it was constructed between 1120 and 1140. A spire (not the present one) was added in 1340 about the same time as the font was installed.

14th century font. All Saints', Bakewell

The spire was removed in 1825 as it was dangerous, and 15 years later a complete rebuilding was necessary. This was followed by an 1879-82 restoration by George Gilbert Scott Jnr (the middle generation of the Gilbert Scott dynasty of architects). The church as viewed today is largely Victorian…

The largely Victorian chancel, All Saints', Bakewell

…as is the town it overlooks…

Bakewell from All Saints' Churchyard

The Foljambe Memorial

…but it is the older monuments that catch the eye. The alabaster figures of Godfrey and Avena de Foljambe have been showing off their piety since 1376. Locally born, and buried here, Sir Godfrey was an associate of John of Gaunt and spent several years as Lord Chief Justice of Ireland.

Godfrey and Avena de Foljambe, All Saints', Bakewell. (The plaque below was added in 1803)

The Tombs of the Manners and Vernon Families

A collection of tombs, mainly of the Manners and Vernon families (of whom more later) is in an adjacent room. There is a remarkable early 17th century Manners family memorial, which includes an infant death…

Manners family memorial, All Saints', Bakewell

Sir Thomas Wendesley and the Wars of the Roses

…while nearby is the tomb of Sir Thomas Wendesley, who was killed at the Battle of Shrewsbury (1403). Maybe because the battle took place on the 21st of July, several floral tributes, in the form of Lancastrian red roses, lay beside the tomb. The notes attached were largely in Latin. One finished with the words Dulce et decorum est pro patria mori (it is sweet and fitting to die for one’s country) a line from Horace described by Wilfred Owen as ‘the old lie.’ I might also note that Wendesley died not for his country, but for a faction within his country. It depresses me that many Brexiteers imagine they are still fighting the Second World War. Here we open the possibility that there are people in England for whom the Wars of the Roses are unfinished business. Scary.

Sir Thomas Wendesley, All Saints', Bakewell

The Old House Museum, Bakewell

200m away and a little higher up the hill, is the Old House Museum. Built in the reign of Henry VIII as a tax collector’s cottage, it was expanded into a gentleman’s residence in Elizabethan times. Thereafter it had a varied life, in 1777 being leased to Richard Arkwright to be divided into workers cottages when he built a cotton mill in Bakewell. By 1935, in a state of disrepair and scheduled for demolition, the house was rescued by the Bakewell Historical Society and for the last 60 years has housed their collection of memorabilia.

Old House Museum, Bakewell

Outside the house is limestone, inside wattle and daub can still be seen in the kitchen.

One Tudor window has survived. Originally it would have been covered with gauze during the day to keep out the wind while letting in some light, and shuttered at night. It was glazed when glass became cheap enough for the moderately well off, not just the rich.

Tudor Window, Old House Museum, Bakewell

An indoor privy was a luxury in Tudor times, this house had one and it was rediscovered relatively recently hiding behind plasterwork.

Tudor indoor privy, Bakewell Old House Museum

The house was generally more interesting than the exhibits…

Agricultural tools and a butter churn, Bakewell Old House Museum

Ashford Black Marble

….but an inlaid ‘marble’ fireplace guard made in Bakewell by John Lomas and presented at the Great Exhibition of 1851 was impressive. The locally quarried ‘Ashford black marble’ is actually a carboniferous limestone rich in bitumen which is grey when quarried but becomes black when polished. The local area is rich in stone for the pietra dura inlaying technique (Blue John from Castleton, Fluorspar from Crich among others). Despite a revival in the 1990s the craft is currently dormant in Derbyshire.

Ashford marble pietra dura work, Old House Museum, Bakewell

Haddon Hall

Haddon Hall is a couple miles south of Bakewell. The hall has its origins in the 11th century, but most of the current building is late medieval or Tudor. It is the home of Lord Edward Manners, younger brother of the Duke of Rutland, but we peasants are allowed the run of much of the house and gardens – for a price.

Haddon Hall, near Bakewell
Also Prince Humperdinck's Castle in the Princess Bride(and much else)

According to the Domesday Book the manor of Haddon was held by William Peveril in 1087. It was forfeit to the crown in 1153 and then passed to the Avenell family. In 1170 Avice Avenell married Sir Richard de Vernon and the house remained in Vernon hands until 1565 when it passed by marriage to the present owners, the Manners family.

Peveril’s manor had been on a hill, but these were dangerous times so in 1194 Sir Richard de Vernon petitioned King John for the right to build a wall for extra security. He was permitted to build, but no higher than 12 feet and without crenellations so Haddon Hall never became a castle – and that probably accounts for its survival. That wall is still there, most of it incorporated into the structure, though a small section still clearly identifiable.

The 'King John' wall is on the left. As both walls were to be seen from outside (the right) the older wall is neatly faced with dressed limestone blocks, while the back of the newer wall is rough gritstone.

The Chapel

In the nearby chapel the older section predates the wall and the Vernons.

The old section of the Haddon Hall chapel

It was once the parish church of Nether Haddon but the village no longer exists, depopulated either by the hand of God (Black Death, 1348-9) according to information in the chapel itself or by the hand of Vernon (creation of a deer park, 1300) as Beresford’s Lost Villages suggests.

The wall paintings date from the time of the chapel’s extension in 1427, though they were covered in whitewash during the Reformation and re-discovered in the 20th century. Most noticeable is the large St Christopher facing the door (though the chapel is dedicated to St Nicholas).

St Christopher, Haddon Hall chapel

The Nottingham alabaster reredos is also early 15th century.

Nottingham alabaster reredos, Haddon Hall chapel

I also have to mention the memorial to a Lord Haddon who died in 1894, aged 9. It is mawkish Victoriana but takes up a lot of space in the nave.

The Kitchen and Banquetting Hall

But before the chapel, we had started in the kitchens – unchanged for 500 years -….

Kitchen, Haddon Hall

…moving through to the Banqueting Hall for an introductory talk. Built in 1370, his hall would have been the communal living space for the whole household. The 15th century French tapestry was a gift from Henry VIII.

Banqueting hall, Haddon Hall

The room was restored in the 1920s and the roof timbers replaced.

Banqueting hall roof, Haddon Hall

Tudor Haddon

The adjacent parlour was created by Henry Vernon in 1500 when family dining rooms replaced communal halls. It was panelled in 1545 and is claimed to be a ‘perfect Tudor room’…

Tudor Dining room, Haddon Hall
The table is a modern facsimile of the original, the chairs are hardly Tudor

…with a perfect Tudor nook.

Parlour nook, dining room, Haddon Hall

Henry married Anne Talbot and the strange beasts on the ceiling are heraldic representations of talbots, an extinct breed of dog resembling a basset hound.

Talbot, Haddon Hall dining room
As far as I can tell talbots had ordinary doggy paws. These lion-claws are for heraldic purposes only

The Gardens and the Elopement of Dorothy Vernon and John Manners

From the garden there is a good view of the house.

Haddon Hall and the lower garden from the upper garden

In 1563 Dorothy, daughter of Sir George Vernon,and John Manners, second son of the Earl of Rutland found themselves mutually attracted. The Vernons were Catholic, the Manners Protestant and Sir George was hoping for something better than the second son of an Earl, so he forbade their liaison. Slipping away from a crowded ball, Dorothy crept through the garden, descended the stone steps and crossed the footbridge over the River Wye to where John was waiting.

The stone steps from the garden and the footbridge over the River Wye, Haddon Hall

Their elopement spawned several novels, a play, an opera and a film, though it probably never happened, as the couple inherited Haddon Hall when Sir George died two years later.

We lingered in the garden long enough to encounter a co-operative peacock butterfly – if only more species habitually rested with their wings open photographing butterflies would be much easier.

(European) Peacock butterfly, Aglais Io,Haddon Hall garden

The Long Gallery

In the long gallery (every big house has to have a long gallery)…

The long gallery, Haddon Hall

…the peacock of the Manners family….

The peacock of the Manners family

…and boar of the Vernons are prominently displayed.

The boar of the Vernons (and a Tudor rose, because that was always wise)

Bringing the Story Up to Date

Luck then dictated that John and Dorothy’s grandson, also John, would became 8th Earl of Rutland, inheriting the title and Belvoir Castle from a distant cousin.

His son, another John was upgraded from 9th Earl to 1st Duke of Rutland in 1703 and moved to Belvoir Castle. He and his heirs used Haddon Hall very little, but maintained a skeleton staff so it remained almost unaltered from its 16th-century condition.

In the 1920s, the 9th Duke of Rutland, yet another John, realised the importance of Haddon Hall and began the house’s restoration and rehabilitation.

Before leaving we had a look round the artisan market. I am impressed by people who make things from little pieces of cloth, wood or metal resembling the off-cuts from larger projects, but I can never find a use for them. The four artisan gin stalls suggested a culling of weaker players in this overcrowded market is not far away. To differentiate their products they add a variety of fruit cordials, unwittingly inventing a high alcohol version of the alcopops that came and went some years ago. These will have their moment, and pass in the same way; real gin will go on.

From Haddon Hall we headed for Baslow and our dinner date.

27/07/2019

Return to Bakewell

Returning to Bakewell in the morning, we crossed and re-crossed the river in our search for the farmers’ market.

During the second crossing on a modern bridge we spotted what I now know to be a black headed gull in winter plumage. July is hardly winter (though it can be difficult to tell in the Peak District) but apparently their heads start to fade straight after the mating season and they are usually in full winter plumage by August.

Black headed gull in winter plummage (and several geese) River Wye, Bakewell

Bakewell Farmer's Market

The farmers’ market was not as big or as bustling as we had been led to believe. I am not sure a famers’ market should be indoors, and if it is, not in a room with a carpet!

Bakewell Farmers' Market

Spreading the market across an outdoor section and several indoor rooms spoils the atmosphere, but the mushroom stall was impressive…

Mushroom stall, Bakewell Framers' Market

…and we bought two ‘Granny Mary’ pâtés made by the Sutherland Family in Chesterfield. This is a new quality venture from the family who started Sutherland’s potted meats in 1927 (Granny Mary originally made the potted meat in her own kitchen). Sutherland’s long ago became part of the corporate world and the family are no longer involved, nor do they have the rights to their own name – hence the 'Granny Mary' brand.

Granny Mary's pates and parfaits

Bakewell: Puddings, Tarts and Cherry Bakewell

Having eaten as well and as much as anticipated yesterday we looked at the Bakewell Pudding Factory (actually a café) from outside…

Bakewell Pudding Factory, Bakewell

…but visited Bloomer’s Bakery. Unable to face another pudding, we bought a Bakewell tart instead. The tart is a 20th century development, perhaps more suitable to an age when few of us hone our appetites on hard physical labour.

Bloomer,s Bakery, Bakewell

[update: It was disappointing, mercifully much less sweet, but short on Bakewell flavour.

Bloomer's Bakewell Tart

The iced Bakewell is a development of the tart, and the Cherry Bakewell a further development. Mr Kipling claims his are exceedingly good, my picture is Tesco’s own brand. It is, of course, commercial not artisan, but it is not bad – too much fondant icing for my taste, and not enough jam – but real Bakewell flavour.

Tesco's Cherry Bakewell Tarts (other Cherry Bakewells are available)

Finally, a special mention of Bradwell's ice-cream who have been operating in the village of Bradwell, 8 miles north of Bakewell, since 1899. I enjoyed their cherry bakewell ice-cream in 2015 – could it have been the best ‘Bakewell’ of the lot.]

*There are three Rivers Wye in England and Wales. The best-known rises in mid-Wales then marks the English/Welsh border before emptying into the Severn Estuary. Another rises in the Chilterns and flows through High Wycombe on its way to the Thames. This Wye rises near Buxton and 15 miles later joins the River Derwent (that would be the Derbyshire Derwent as there are four of them) which then joins the (one and only) River Trent – though Trent Rivers can be found in New Zealand, Canada (x2) and the USA.

Monday, 8 July 2019

Cheltenham: Hotel du Vin and Brian Jones

A Posh District, a Dinner Worth Reviewing and the Grave of a Rolling Stone

Parabola Road, Montpellier District

07-Jul-2019

Gloucestershire
Cheltenham

From Deerhurst we drove to Cheltenham and found our way to Parabola Road and the Hotel du Vin in the Montpellier district. Montpellier was developed in the 1830s in conjunction with Cheltenham Spa – Harrogate’s Montpellier district has a similar history – and is now an area of bars, cafés, restaurants, specialist shops and expensive housing.

Hotel du Vin, Parabola Road, Cheltenham

We checked in, watched the women’s World Cup Final and took a stroll along Parabola Road. It does an old(ish) mathematician's heart good to walk along a parabola which, as everyone knows, is the locus of a point equidistant from a fixed point (the focus) and a fixed line (the directrix). The road’s central section is a fair approximation to the right shape.

Parabola Road, Cheltenham

Dinner in the Hotel du Vin, Cheltenham

Having visited Albania last month, where Norman Wisdom became some kind of folk hero, we were amused by the blue plaque by the hotel entrance. Lynne saw him perform at the London Palladium in 1954. Though only 4, she remembers it well.

Blue plaque outside the Hotel du Vin, Cheltenham

Hotel du Vin is a chain of 19 ‘luxury boutique hotels'. One of the founders was a master sommelier and is now a Master of Wine, hence the name. Rooms are named after assorted vinous luminaries, though we found ‘Geoff Merril’ a little harder to locate than, say, room 234.

Olives

Stationing ourselves in the bar, we ordered two gins (Tanqueray) and one tonic. That cost over £12 - tonic is expensive round here - but they did bring a nice bowl of nuts and mixed olives. Cerignola olives are the biggest I have ever seen, but like tiger prawns they demonstrate that bigger is not always better.

Mixed olives, Hotel du Vin, Cheltenham
Cerignola is the huge pale one, Gaeta is the grape-sized black one and Nocellara, the shiny green one

Hotel du Vin restaurants have the same menu but each has its own head chef; Paul Mottram in Cheltenham.

Wine Problems (Partly of our own Making)

We had a tricky negotiation over the menu, selecting main courses which would suit the same wine. The wine list is short, considering the origins of these hotels, but covers most bases and all wines are offered by the bottle, glass or 500ml carafe. We wanted a bottle - the perfect size for two - and settled on lemon sole for both and a white Rioja.

I liked the old-fashioned white oak-aged Riojas, but that is not to modern tastes. Our bottle, inevitably, was a modern white Rioja, well-made and well-balanced and, I admit, a better match for sole than the old style.

We were savouring the wine when the waiter returned, apologised and told us there was only one sole. Lynne changed her order to lamb, the waiter suggested we choose a different wine but that brought us back to our original problem. I proposed keeping the Rioja and him bringing Lynne a glass of Pinotage, free of charge, to accompany her lamb. And that solved that.

Starters: Escargot and Pork & Rabbit Paté

Lynne started with Escargots à la Bourguignonne. We have eaten escargots many times, once regrettably in a pastry coffin laced with Pernod and once spectacularly with garlic pannacotta and bone-marrow beignet at the now defunct but then Michelin starred La Bécasse in Ludlow, but mostly Bourguignonne. It is a classic, and a simple classic at that, requiring no more than industrial quantities of butter, garlic and parsley. This came sprinkled with a crumb which Lynne found particularly pleasing as it soaked up even more of the butter.

Lynne's escargots, Hotel du Vin, Cheltenham

I had pork and rabbit pâté en croûte with Winterdale Cheddar crisps and apple chutney.

I carved a slice off the big slab of pâté to swap for one of Lynne’s snails – surely you should not be able to carve a pâté. Solid it may have been, but it had a fine flavour, the pork providing a reassuring background to the stronger up-front rabbit. I am unsure, though, why it was ‘en croûte, the embrace of cold, clammy pastry did nothing for it.

Pork and rabbit pate, Winterdale cheddar crisps and apple chutney, Hotel du Vin, Cheltenham

The Winterdale cheddar crisps were excellent (and that is not ‘crisps’ in the Walkers meaning of the word). Winterdale Farm in Wrotham, Kent is an artisan cheese producer claiming to be carbon neutral in both production and delivery. If ‘crisps’ can be a true representation theirs is a very rich and powerful cheddar – though the Winterdale website stresses its Kentish origin and studiously avoids the word ‘cheddar’. Wonderful as they were, they rather overwhelmed the pâté. The apple chutney was a good partner for the crisps, but for the pâté, it too was overly assertive – and sweet.

Mains: Roast Rump of Lamb and Sole Meunière

Lynne was more than happy with her ‘roast rump of lamb with summer vegetable fricassée in a light tomato broth’, it had been her first choice before I talked her into the sole. The piece of meat I tasted was full of sheepy flavour – in fact it is a long time since I tasted such a fine morsel of lamb.

Roast rump of lamb, Hotel du Vin, Cheltenham

My lemon sole meunière, was spot on. In May, I had a Dover sole in a pub in Devon, it was an excellent fish, but seemed to have drowned in butter. This lemon sole was buttery, too – that is what meunière means – but not drowned, and the capers provided a necessary bite of acidity. Dover sole is a patrician among fish, lemon sole more down-to-earth, its flesh denser and less finely flavoured, but on the plus side there is more of it!

Lemon sole meuniere, Hotel du Vin, Cheltenham

We had ordered sides of haricot beans and lyonnaise potatoes when we were both having sole. Lynne’s lamb came with vegetables but we failed to change the order. The haricots were first class, garlicky and crisp without being ‘squeaky’, the lyonnaise potatoes less successful. I thought the potatoes too floury for this dish, and spuds and onions gave the impression of hardly being introduced, let alone sautéed (what a strange franglais word) together.

Whilst we were eating Jo, the wife of Lynne’s cousin Matthew, came to tell us they were eating in the outside section of the restaurant and suggested we meet for drinks after.

Lynne and I ummed and erred over dessert, but when our coffee arrived we asked them to take it up to the bar. ‘We can bring desserts up, too’ they said hopefully. We were firm, after all we did not need desserts and all their extra calories, so we joined Jo and Matthew for a convivial hour, during which we drank as many calories as we had saved.

The meal cost far more than a pub dinner, but much less than dinner in a Michelin starred restaurant, and the quality fitted appropriately into that wide band. The originality and imagination of a Michelin starred kitchen were lacking, but instead there was a concentration on classics – the escargots and the sole, to pick two examples. These are not complicated dishes* presenting great technical difficulties, but are nonetheless extremely satisfying - that is why they are classics.

08-Jul-2019

The Grave of Brian Jones

We had come to Cheltenham for a family funeral, hence our reaction at finding Matthew and Jo in the same hotel was mild surprise rather than amazement. The funeral is beyond the scope of this blog, but Lynne’s aunt was duly laid to rest beside her husband in the town cemetery.

Just round the corner is someone who in his prime might well have been a noisy neighbour.

Brian Jones, Cheltenham Cemetery

The photo above was taken in 2010, there was no significance to that day, there are always flowers on the grave of the Rolling Stone who lost his way. Driving past this time, we noticed it was absolutely covered with floral tributes. Only later did we realise that five days ago it had been 50 years since Brian Jones died. Can it really be so long?

*Escargots à la Bourguignonne are a little more complicated than I made out - but they certainly do not involve liquid nitrogen or cooking anything sous vide.

Also, on the road to Cheltenham

Croome Court and Deerhurst

Other 1 AA Rosette meals
The Speech House, Forest of Dean Gloucestershire (2019)
The Hotel du Vin, Cheltenham, Gloucestershire (2019)
The Hotel du Vin, Stratford-upon-Avon. Warwickshire (2022)
The Dukes Head, Kings Lynn, Norfolk (2022)

Sunday, 7 July 2019

Croome Court and Deerhurst

A Georgian House and An Ancient Chapel

Croome Court

Worcestershire

Setting out for Cheltenham at 9.30 on a Sunday morning, we missed any serious hold-up in the everlasting road works at the top of the M5 and left the motorway at J7 south of Worcester. Diving into the countryside we reached Croome Court around 11, the time the house opens.

A sunny summer weekend brings out the crowds and even at opening time we had to search for a parking space.

The original Jacobean Croome Court, was built around 1640 for the 1st Baron Coventry. The foundations and chimney stack of that building remain within the current house, designed by Lancelot ‘Capability’ Brown and Sanderson Miller and built 1751/2 for George, the 6th Earl Coventry (the 5th Baron had been upgraded to 1st Earl in 1697). Better known for his landscapes, this was Capability Brown’s first attempt at architecture and I feel the building is not as good as its setting (also Brown’s work).

Croome Court, Worcestershire

Capability Brown’s landscapes have flickered in and out of fashion over the years. On one level I understand their attraction, but it feels odd, or maybe presumptuous to design an artificial landscape intended to be more ‘natural’ than the one provided by nature. Or maybe not, after several millennia of inhabitation, tree felling, grazing and crop growing there is little truly ‘natural’ about the English landscape.

The Church of St Mary Magdalene, Croome

Croome’s 13th century church was deemed too close to the house, so Brown was instructed to demolish it, build a new one on the nearby low hill and provide ‘an eyecatcher’. The demolition might have been vandalism and the new church looks nothing special (in my amateur opinion). Completed in 1763, it was dedicated to St Mary Magdalene.

St Mary Magdalene, Croome

Being one of the super-rich, George the 6th Earl employed Robert Adam to design the interior, and Adam used the finest craftsmen available.

Inside St Mary Magdalene, Croome

For all their efforts, the eye is caught by a series of marble monuments to the assorted Earls and Barons Coventry, presumably transferred from the original church. The 1st Earl’s is missing because the 2nd Earl objected to his elderly father’s marriage to a servant girl (it now graces St Mary’s, Elmley Castle, 5km away). Most are run-of-the-mill but the 1st Baron’s monument stands out. It is reputedly by Nicholas Stone, master mason to James I and Charles I and a prolific carver of funerary monuments. He is highly regarded, but surely this plumbs depths best left unplumbed.

Memorial to the 1st Baron Coventry - and what is he about to do with that hand?

The Rotunda, Croome Court

We walked along the ridge, past the walled garden to the Rotunda, Capability Brown’s ‘relaxing garden room’. It was in poor condition when the Croome Trust acquired the estate and has been stabilized rather than restored, but I am unconvinced we 21st century softees would ever have thought the interior comfortable.

Rotunda and cedars, Croome Court

The 360º visibility permits a view of the shrubbery and impressive cedars, while to the west there is a fine vista of the Malvern Hills, at least there is on a clear day, but today was far too hazy.

The hazy Malvern Hills from the Rotunda, Croome Court

Croome Court, The Exterior

From here we descended to the south entrance. Fashions come and go, and many come round again, but I hope the fashion for these monstrosities never returns. They look like sphinxes designed by somebody who has never seen a sphinx.

The South Entrance, Croome Court

And maybe that is true, but....

Detail from the library mural, Stowe House

...we visited Stowe in Buckinghamshire in 2014. The mural in the library has something similar, though even more alarming as the figures there also have wings and a bouquet of flowers sprouting from their heads. Why?

Croome Court remained in the hands of the Coventry Family until the middle of the 20th century. The 10th Earl was killed in 1940 in the retreat to Dunkirk leaving his 6 year-old son to inherit the title. The estate provided insufficient income to support the house, so both were sold in 1948.

For thirty years Croome was St Nicholas' Roman Catholic boarding school and from 1979-84 the UK Centre of the Hari Krishna movement. Subsequently, a succession of failed developments saw Croome not becoming a hotel, country club or golf course. By 2007 the house was in a poor state. It was bought by the Croome Heritage Trust and leased to the National Trust on a 999-year lease (which will probably see me out, not to mention the National Trust and possibly our entire ‘civilisation’.)

Croome Court, The Interior

After the introductory film in the Billiards Room, we walked through to the Long Gallery. The room is largely empty, but the fireplace is work of Robert Wilton, a founder member of the Royal Academy and responsible for the sculptures on the rarely used Gold State Coach.

Joseph Wilton Fireplace, Long Gallery, Croome Court

Capability Brown aimed to create a vista through every window. Most neo-Palladian houses were perched on high ground, but Croome, built on older foundations, is in a hollow making his job more difficult.

Vista through the Long Gallery Window, Croome Court

Anthony Bridge Paintings and Grayson Perry Tapestries

With no furniture or ‘collection’ to display, Croome is largely an exhibition space. For me the highlight was the Drawing Room exhibition of local landscapes by 18th century artist Richard Wilson and Croome’s artist in resident Antony Bridge. Wilson’s landscapes were often too small for my taste, and too dingy (an effect of time rather than a criticism) while I thought Bridge’s vivid, multiple views of the Malvern Ridge caught the essence of the place. If I had a wall big enough….

Antony Bridge landscapes of the Malverns, Croome Court
Walking the Malvern Ridge





The Malvern ridge featured on Day 6 of the epic South West Odyssey back in 2009. We saw one aspect of it, Antony Bridge offers nine more to contemplate.







The Grayson Perry tapestries in the Tapestry Room and Library illustrated his not entirely original view of modern Britain’s dystopian condition.

Grayson Perry Tapestry, Croome Court

Maria Gunning, Countess of Coventry and Kitty Fisher, Courtesan

Sadly, the Maria Gunning exhibition had ended. In 2016 we visited Hemingford Grey in Cambridgeshire where Maria, later Duchess of Coventry, and her younger sister Elizabeth were born. Their aristocratic but impoverished parents launched the teenage sisters into society to sink or swim on their looks and bedability. Both swam; Elizabeth becoming Duchess of Hamilton and a second marriage made her Duchess of Argyll, while in 1752 Maria married the 6th Earl of Coventry and became mistress of Croome Court. She was 19, he was 30.

Unfortunately, all went wrong for Maria. In the late 1750s, society courtesan Kitty Fisher had a ‘relationship’ with Lord Coventry (she was 17 he was nearly 40) and there was a bitter rivalry between Kitty and Maria*. Maria Gunning died in 1760, poisoned by the lead and arsenic in her make-up; Kitty Fisher died at the same age (26 or 27) 7 years later, possibly from the same cause.

Upstairs an installation tells the not always happy stories of the vulnerable boys who attended St Nicholas’ School and (warning: non-sequitor approaching) next door in the Alcove Bedroom, is a 1766 Robert Adam scroll sofa - I struggle to become excited by sofas.

Robert Adam scroll sofa, Croome Court

RAF Defford, Croome Court

Back at the car park an interesting little museum looks at another aspect of Croome Court’s 20th century history. From 1941 until 1957 part of the estate became RAF Defford.

RAF Defford museum, Croome Court

Land based radar had become widely used after the development of the resonant-cavity magnetron in Birmingham University by John Randall and Harry Boot in 1940. The primary purpose of RAF Defford was to further develop the technology and produce radar that could be carried on a plane. Automatic approach and landing was also researched at Defford and in January 1945 it was the scene of the world’s first "hands off" automatic blind landing.

After the war Defford continued to research into radar until 1957 when its runaways were deemed insufficient for the new generation of military aircraft. They are still there, in an unvisited part of the grounds, cracked, unusable and rotting quietly away.

Deerhurst

Odda’s Chapel

Gloucestershire
Borough of Tewkesbury

Leaving Croome Court we continued south into Gloucestershire, and beyond Tewkesbury turned west along country lanes to the village of Deerhurst.

Here, in 1675, local landowner Sir John Powell, discovered an 11th century stone slab with a Latin inscription...

Replica of the slab found by Sir John Powell in 1675, in Odda's Chapel, Deerhurst
The original is in the Ashmolean Museum

...which translates as:

Earl Odda ordered this royal chapel to be built and dedicated in honour of the Holy Trinity for the good of the soul of his brother Aelfric who died in this place. Bishop Ealdred dedicated it on April 12th of the 14th year of the reign of Edward, King of the English.

Edward the Confessor reigned 1042-66, dating the inscription to 1056.

St Mary’s Church in Deerhurst has its origins in the 8th century, so no one looked deeper into the meaning of the slab until 1865 when George Butterworth, vicar of St Mary’s, deduced from the chronicles of Tewkesbury Abbey that the stone referred to a separate chantry chapel (a chapel for saying masses for the dead).

During renovations at Abbot’s Court farmhouse in 1885 a Saxon window was found behind the plaster and George Butterworth realised his chantry chapel had been discovered.

Abbot's Court and Odda's Chapel, Deerhurst

Chantry chapels had been abolished by Henry VIII, and around 1600 Odda’s Chapel had been incorporated into the timber framed farmhouse.

A nave and chancel linked by a Romanesque arch, Odda's Chapel, Deerhurst

The buildings have now been methodically disentangled,....

The remains of a bedroom (and is that a fireplace?) above the chancel, Odda's Chapel, Deerhurst

...and Odda’s chapel is once again a nave and chancel linked by a Romanesque arch. In essence it is a simple stone box, but sitting in the peaceful atmosphere I imagined myself as a small link in a thousand year chain of history.

Odda's Chapel and Abbot's Court, Deerhurst

St Mary’s Priory Church, Deerhurst

On our short walk to St Mary’s we passed through a substantial floodgate; the Severn, only 200m across the water meadows, being notoriously flood prone. Odda’s Chapel, outside the floodgate, is protected by being on higher ground.

Floodgate, Deerhurst

Remarkably Odda’s Chapel is not the oldest building in Deerhurst, St Mary’s Priory Church was built in the 8th century, but had makeovers in the 10th, 14th centuries, and 19th centuries; each contributing to today’s structure. Originally a priory church, St Mary’s became the parish church after the Dissolution of the Monasteries.

St Mary's Deerhurt, with the former Priory Farm behind

The ancient nave has a high ceiling like the Saxon churches of  Escomb and Jarrow in County Durham.

Nave, St Mary's Deerhurst

There is an impressive Saxon font,...

Saxon font, St Mary's, Deerhurst

…while the arcade has later Perpendicular Gothic arches.

Perpendicular Gothic arcade, St Mary's Deerhurst

St Mary’s has been in continual use and continually updated, so despite its antiquity it lacks the ancient calm of Odda’s Chapel where rough-hewn simplicity speaks quietly but directly from the far-off age of the Saxons.

We left Deerhurst and set off for Cheltenham, which was, you might remember, or destination for the day, but as this post has gone on for long enough, that comes in the next one.

*250 years later Kitty Fisher has won a small (im)moral victory. The café at Croome is named after the mistress of the 6th Earl of Coventry, not the mistress of Croome. 

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